Influence and Criticism
By the 1970s, Poulet, and other phenomenological critics, had given way to a new wave of young critics (Leitch et al. 1319). Meltzer (1977) writes, "many critics sense a confidence, or complacency, in Poulet's work, which they believe results from a deafness on his part to the recent problematization of the literary experience and the language of literature" (viii). Formalist critics disagreed with Poulet's disregard for objective standards of literary value while structuralist, poststructuralist, and deconstructionist critics rejected the importance Poulet placed on the role of the author and his belief in engaging with the text as a representation of the author's consciousness.
Poulet's books continue to be read and admired. De Man writes, "more than any other, the criticism of Georges Poulet conveys the impression of possessing the complexity and the scope of a genuine work of literature" (80). Although many of his ideas have fallen from critical favour, Poulet's influence can still be seen in the work of J. Hillis Miller.
Read more about this topic: Georges Poulet
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