George Urban - Works

Works

  • Kinesis and stasis; a study in the attitude of Stefan George and his circle to the musical arts (1962)
  • The Sino-Soviet Conflict (1965) with Leo Labedz
  • Toynbee on Toynbee: A Conversation between Arnold J. Toynbee and G. R. Urban (1974)
  • Détente (1976)
  • What is Eurocommunism? (1977) editor
  • Eurocommunism: Its Roots and Future in Italy and Elsewhere (1978)
  • Communist Reformation: Nationalism, Internationalism, and Change in the World Communist Movement (1979)
  • Can the Soviet System Survive Reform?: Seven Colloquies About the State of Soviet Socialism Seventy Years After the Bolshevik Revolution (1989)
  • End of Empire: The Demise of the Soviet Union (1992)
  • Diplomacy and Disillusion at the Court of Margaret Thatcher: An Insider's View (1996)
  • Radio Free Europe and the Pursuit of Democracy: My War Within the Cold War (1997)
Authority control
  • VIAF: 108513427
Persondata
Name Urban, George
Alternative names
Short description Hungarian writer
Date of birth 12 April 1921
Place of birth
Date of death 3 October 1997
Place of death

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    They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.
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    We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.
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    We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.
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