George Rostrevor Hamilton - Works

Works

  • Stars and Fishes (1916) poems
  • Escape and Fantasy 1918) poems
  • Pieces of Eight (1923) poems
  • The Soul of Wit (1924) anthology of epigrams
  • The Making (1926)
  • The Latin Portrait: An Anthology (1929) Nonesuch Press edited with Charles Stonehill.
  • Light in Six Moods (1930)
  • John Lord, Satirist (1934)
  • Wit's Looking-Glass (1934) anthology of French epigrams
  • The Greek Portrait (1934) Nonesuch Press editor
  • Unknown Lovers (1935)
  • Poetry and Contemplation: A New Preface to Poetics (1937)
  • Memoir 1887-1937 (1938)
  • The Sober War and Other Poems of 1939 (1940)
  • Apollyon and other poems of 1940 (1941)
  • The Trumpeter of Saint George (1941) poems
  • Landmarks: A Book of Topographical Verse for England and Wales (1943) edited with John Arlott
  • Hero or Fool? A Study of Milton's Satan (1944)
  • Death in April (1944) poetry
  • Selected Poems and Epigrams (1945)
  • The Inner Room (1947) poetry
  • The Tell-Tale Article: A Critical Approach to Modern Poetry (1949)
  • Essays & Studies 1950 editor
  • The Carved Stone (1952) poetry
  • The Russian Sister (1955)
  • Essays by Divers Hands XXVII (1955) editor
  • Essays & Studies Jubilee Volume (1956) editor
  • Guides and Marshals (1956)
  • Collected Poems and Epigrams (1958)
  • Walter Savage Landor (1960)
  • Landscape of the Mind (1963)
  • English Verse Epigram (1965)
  • Rapids of Time, sketches from the past (1965)

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    It is the art of mankind to polish the world, and every one who works is scrubbing in some part.
    Henry David Thoreau (1817–1862)

    Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
    Raymond Williams (1921–1988)

    My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.
    George Bernard Shaw (1856–1950)