Return To The Continent
In 1826 Hayter settled in Italy. The Banditti of Kurdistan Assisting Georgians in Carrying off Circassian Women (untraced), completed in Florence for John Proby, 1st Earl of Carysfort (exhibited British Institution 1829), demonstrated Hayter’s assimilation of the style and exotic subject-matter of contemporary French Romantic art.
In 1827 his mistress, Louisa Cauty, died after poisoning herself with arsenic. Although it was apparently an accident, in a bid for attention, it was widely assumed that he had driven her to suicide, and he was forced by the scandal to move from Florence to Rome.
By late 1828 he was in Paris, where his portraits of English society members (some exhibited at the Salon in 1831) were stylistically akin to the work of recent French portrait painters such as François Gérard.
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Famous quotes containing the words return to, return and/or continent:
“I hate that word. It’s return—a return to the millions of people who’ve never forgiven me for deserting the screen.”
—Billy Wilder (b. 1906)
“The mother as a social servant instead of a home servant will not lack in true mother duty.... From her work, loved and honored though it is, she will return to her home life, the child life, with an eager, ceaseless pleasure, cleansed of all the fret and fraction and weariness that so mar it now.”
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“The religion of England is part of good-breeding. When you see on the continent the well-dressed Englishman come into his ambassador’s chapel and put his face for silent prayer into his smooth-brushed hat, you cannot help feeling how much national pride prays with him, and the religion of a gentleman.”
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