Musical Works
His compositions include a symphony in G major (1937), a violin concerto, and a number of other works, many of them for choir. Ernest John Moeran's Symphony in G minor, of the same decade (and completed the same year), has some similarities of style and ambition with Dyson's. Both are among the longest works of each at about 45 minutes, and both show some influence, harmonically and in instrumental use, from Jean Sibelius. Another pair of major works by Dyson, each lasting about ninety minutes, are two choral works: the poem cycle Quo vadis for solo quartet, semi-chorus, chorus and orchestra; and The Canterbury Pilgrims, for soprano, tenor, baritone, chorus, and orchestra.
Dyson composed some fifty works for the liturgy of the Church of England, including two complete morning and evening canticles in D major and F major, as well as a setting of the evening service in C minor for trebles. The evening services remain popular in English churches and cathedrals, and are certainly part of the core repertoire. The F major service is particularly noted for its solos: about half of the Magnificat is written for a solo treble, and half of the Nunc dimittis for a solo bass.
In the Oxford Companion to Music, Percy Scholes described his compositions as "skilful, sometimes deeply felt, but never forward-looking in idiom".
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