Other Works
As a satirist, Lichtenberg takes high rank among the German writers of the 18th century. His biting wit involved him in many controversies with well-known contemporaries, such as the Swiss physiognomist Johann Kaspar Lavater whose science of physiognomy he ridiculed, and Johann Heinrich Voss, whose views on Greek pronunciation called forth a powerful satire, Über die Pronunciation der Schöpse des alten Griechenlandes. For Laurence Sterne's wit on the bigotry of the clergy, in his novel Tristram Shandy, Lichtenberg condemned him as a scandalum ecclesiae (a scandal for the Church).
In 1777, Lichtenberg opposed the apparent misrepresentation of science by Jacob Philadelphia. Lichtenberg considered him to be a magician, not a physicist, and created a satirical poster that was intended to prevent Philadelphia from performing his exhibition in Göttingen. The placard, called “Lichtenberg's Avertissement,” described extravagant and miraculous tricks that were to be performed. As a result, Philadelphia left the city without a performance.
In 1784 he took over the publication of the textbook Anfangsgründe der Naturlehre ("Foundations of the Natural Sciences") from his friend and colleague Johann Christian Erxleben upon his premature death in 1777. Until 1794, three further editions had followed. For many years, the Anfangsgründe remained the standard textbook for physics in German.
He published the Göttinger Taschencalender from 1778 onwards, and contributed to the Göttingisches Magazin der Wissenschaften und Literatur, which he edited for three years (1780–1782) with J. G. A. Forster. The Göttinger Taschencalendar, beside being a usual Calendar for everyday usage, contained not only short writings on natural phenomena and new scientific discoveries (which would be termed popular science today), but also essays in which he contests quackery and superstition. It also contained attacks on the “Sturm und Drang” writers. In the spirit of enlightenment, he strived to educate the common people to use logic, wit and the power of their own senses.
Based on his visits to England, his Briefe aus England, with admirable descriptions of Garrick's acting, are the most attractive of his writings published during his lifetime. He also published from 1794 to 1799 an Ausführliche Erklärung der Hogarthischen Kupferstiche, in which he described the satirical details in William Hogarth's prints.
Freud (in his “Why War?” letter to Einstein) mentions Lichtenberg's invention of a “Compass of Motives” in a discussion on the combination of human compounded motives and quotes him as saying, “The motives that lead us to do anything might be arranged like the thirty-two winds and might be given names on the same pattern: for instance, ‘food-food-fame’ or ‘fame-fame-food’.”
Read more about this topic: Georg Christoph Lichtenberg
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