Geography of North Carolina

The geography of North Carolina falls naturally into three divisions or sections—the Appalachian Mountains formed mostly by the Blue Ridge and Great Smoky Mountains, the Middle or Piedmont Plateau, and the Eastern or Tidewater section, also known as the Coastal Plain. North Carolina covers 53,821 square miles (139,396 km2) and is 560 miles (900 km) long by 150 miles (240 km) wide. The physical characteristics of the state can be pictured as a surface spread out upon a vast declivity, sloping down from the summits of the Smoky Mountains, an altitude of near seven thousand feet, to the ocean level.

Read more about Geography Of North Carolina:  Blue Ridge/Appalachian Mountains, Piedmont, Coastal Plain, Agriculture, River Systems, Climate

Famous quotes containing the words geography of, geography, north and/or carolina:

    Where the heart is, there the muses, there the gods sojourn, and not in any geography of fame. Massachusetts, Connecticut River, and Boston Bay, you think paltry places, and the ear loves names of foreign and classic topography. But here we are; and, if we tarry a little, we may come to learn that here is best. See to it, only, that thyself is here;—and art and nature, hope and fate, friends, angels, and the Supreme Being, shall not absent from the chamber where thou sittest.
    Ralph Waldo Emerson (1803–1882)

    At present cats have more purchasing power and influence than the poor of this planet. Accidents of geography and colonial history should no longer determine who gets the fish.
    Derek Wall (b. 1965)

    The recent attempt to secure a charter from the State of North Dakota for a lottery company, the pending effort to obtain from the State of Louisiana a renewal of the charter of the Louisiana State Lottery, and the establishment of one or more lottery companies at Mexican towns near our border, have served the good purpose of calling public attention to an evil of vast proportions.
    Benjamin Harrison (1833–1901)

    Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.
    Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)