Criticism
Public opinion towards aviation generally is worsening, based on increasing environmental concerns relating to emissions and noise, and private flying has been criticised by respondents to a government consultation on aircraft noise as a frivolous or selfish activity. In terms of environmental complaints and enquiries made to the CAA that relate specifically to GA, noise is "by far" the most common subject. Half of the 2,000 noise complaints made annually to the CAA concern GA operations, most of which relate to aerobatics, helicopters using private sites, air balloon incidents, parachute dropping, and alleged low flying.
Planning guidance on aircraft noise advises that "in some circumstances the public perceive general aircraft noise levels as more disturbing than similar levels around major airports." This is a result of the tonal characteristics of light aircraft engines and the activities they are engaged in, including: repetitive circuit flying at low-altitude near an aerodrome, during which aircraft are audible for long periods; slow climbing aircraft engaged in parachute drop or glider tug activities concentrated around the drop zone or aerodrome, also audible for long periods; erratic and repetitive engine noise from aircraft engaged in aerobatics; and piston-engines on full power in areas of low background noise, leading to the perception that such noise is more intrusive. In an attempt to alleviate these problems, the majority of aerodromes implement noise abatement procedures designed to route aircraft away from noise sensitive areas, and more than 50 are required by the government to provide consultative facilities in which local concerns can be raised with aerodrome operators. (One complainant noted that Swansea Airport circuit training put 27 low level overflights over his property in a 75 minute period in 2008)
Read more about this topic: General Aviation In The United Kingdom
Famous quotes containing the word criticism:
“Parents sometimes feel that if they don’t criticize their child, their child will never learn. Criticism doesn’t make people want to change; it makes them defensive.”
—Laurence Steinberg (20th century)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)