Life
He was born somewhere in the diocese of Tournai, evidently out of wedlock, and was educated at Oudenaarde. While little is known of the first two decades of his life, he probably knew or studied with Johannes Regis, and he may have studied with Ockeghem; in addition it is likely he knew Dufay at the Burgundian court of Charles the Bold, since so much of his music follows in the model of the older composer. In 1471 he went to Milan, where he joined the singers of the Sforza chapel, which included Johannes Martini, Alexander Agricola, and Loyset Compère.
In 1472 and 1473 he went back north to Burgundy to find more singers for his Italian employer. Successful in his quest, he returned to Milan, and soon the Sforza chapel had one of the largest choirs in Europe. After the murder of Duke Sforza in 1476, however, the singers mostly disbanded. Weerbeke then joined the papal choir in Rome under Sixtus IV and Innocent VIII, where he remained until 1489, at which time he returned to Milan.
For the next decade Weerbeke seems to have been associated with several courts, including Milan, the court of Philip the Fair, and possibly the Medici in Florence. After 1500 he was again in Rome singing in the papal choir. The last years of his life are obscure; he may have returned to the region of his birth, for he received appointments for posts at both Cambrai and Tournai; and in addition there is a record of his possibly holding a post at St. Maria ad Gradus in Mainz in 1517.
Read more about this topic: Gaspar Van Weerbeke
Famous quotes containing the word life:
“I devoutly believe it is the writer who has matured the film medium more than anyone else in Hollywood. Even when he knew nothing about his work, he brought at least knowledge of life and a more grown-up mind, a maturer feeling about the human being.”
—Dudley Nichols (1895–1960)
“Take away love, and our earth is a tomb!
Flower o’ the quince,
I let Lisa go, and what good in life since?”
—Robert Browning (1812–1889)
“... life is moral responsibility. Life is several other things, we do not deny. It is beauty, it is joy, it is tragedy, it is comedy, it is psychical and physical pleasure, it is the interplay of a thousand rude or delicate motions and emotions, it is the grimmest and the merriest motley of phantasmagoria that could appeal to the gravest or the maddest brush ever put to palette; but it is steadily and sturdily and always moral responsibility.”
—Elizabeth Stuart Phelps (1844–1911)