Critical Reception
In his review in Chicago Sun-Times, Roger Ebert called Streisand "magnificent" and added, "She has the best timing since Mae West, and is more fun to watch than anyone since the young Katharine Hepburn. She doesn't actually sing a song at all; she acts it. She does things with her hands and face that are simply individual; that's the only way to describe them. They haven't been done before. She sings, and you're really happy you're there." But he thought "the film itself is perhaps the ultimate example of the roadshow musical gone overboard. It is over-produced, over-photographed and over-long. The second half drags badly. The supporting characters are generally wooden . . . That makes the movie itself kind of schizo. It is impossible to praise Miss Streisand too highly; hard to find much to praise about the rest of the film."
Variety said Streisand makes "a marked impact" and continued, "The saga of the tragi-comedienne Fanny Brice of the ungainly mien and manner, charmed by the suave card-sharp Nick Arnstein, is perhaps of familiar pattern, but it is to the credit of all concerned that it plays so convincingly."
David Parkinson of the film monthly Empire rated the film four out of five stars and called it "one of those films where it doesn't really matter what gets written here - you will have made your mind up about Babs one way or the other, but for the rare uninitiated, this is a fine introduction to her talents."
The film currently holds a 92% 'Fresh' rating on review aggregation site Rotten Tomatoes.
Read more about this topic: Funny Girl (film)
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