Funny Girl (film)

Funny Girl (film)

Funny Girl is a 1968 romantic musical film directed by William Wyler. The screenplay by Isobel Lennart was adapted from her book for the stage musical of the same title. It is loosely based on the life and career of Broadway and film star and comedienne Fanny Brice and her stormy relationship with entrepreneur and gambler Nicky Arnstein.

The film was produced by Brice's son-in-law, Ray Stark. The score is by Bob Merrill (lyrics) and Jule Styne (music).

Barbra Streisand, reprising her Broadway role, shared the Academy Award for Best Actress with Katharine Hepburn for The Lion in Winter.

In 2006, the American Film Institute ranked the film #16 on its list commemorating AFI's Greatest Movie Musicals. Previously it had ranked the film #41 in its 2002 list of 100 Years ... 100 Passions, the songs "People" and "Don't Rain on My Parade" at #13 and #46, respectively, in its 2004 list of 100 Years ... 100 Songs, and the line "Hello, gorgeous" at #81 in its 2005 list of 100 Years ... 100 Movie Quotes.

Read more about Funny Girl (film):  Plot, Cast, Musical Numbers, Production, Sequel, "Hello, Gorgeous", Jewish Representation, Critical Reception, Awards and Nominations, Home Media

Famous quotes containing the words funny and/or girl:

    Telephone poles were matchsticks, put there to be snapped off at a whim. Dogs trotting across the road were suddenly big trucks. Old ladies turned into moving—vans. Everything was too bright, but very funny and made for my delight. And about half a mile from my long liquid breakfast I turned carefully down a side street and parked, and sat beaming happily through the tannic fog for about an hour, remembering how witty we all had been, how handsome and talented ... [ellipsis in original]
    M.F.K. Fisher (1908–1992)

    From infancy, a growing girl creates a tapestry of ever-deepening and ever- enlarging relationships, with her self at the center. . . . The feminine personality comes to define itself within relationship and connection, where growth includes greater and greater complexities of interaction.
    Jeanne Elium (20th century)