Fringe Theatre - History of Fringe Theatre Festivals

History of Fringe Theatre Festivals

The Edinburgh Festival Fringe (founded 1947) is the largest arts festival in the world. Though many shows at the Edinburgh Fringe could be considered fringe theatre, its remit also covers mainstream theatre, comedy, music and many other genres.

The largest fringe festival in the southern hemisphere, and second largest in the world, is the Adelaide Fringe Festival. The Adelaide Fringe evolved in the early 1970s as a reaction against the establishment and the then 'mainstream' Adelaide Festival of Arts. Today, although the two events are now inextricably linked, the Fringe Festival has overtaken the main Festival of Arts in terms of attendance. The oldest fringe festival in England, and third largest in the world is the Brighton Festival Fringe, which has provided Fringe activity alongside the main Brighton Festival since its creation in 1967.

Read more about this topic:  Fringe Theatre

Famous quotes containing the words history of, history, fringe, theatre and/or festivals:

    The history of progress is written in the blood of men and women who have dared to espouse an unpopular cause, as, for instance, the black man’s right to his body, or woman’s right to her soul.
    Emma Goldman (1869–1940)

    A man acquainted with history may, in some respect, be said to have lived from the beginning of the world, and to have been making continual additions to his stock of knowledge in every century.
    David Hume (1711–1776)

    Look carefully through all the claims pressing upon you in your complicated life, and decide once and for all what it is that is the one really important and overmastering duty in it, and should be the one dominating aim. Then remember that if you succeed in that, the others, so multifarious, are really no more than the fringe of the garment, and that you need not spend so much anxiety over them, provided that the one most important is faithfully attended to.
    Anna C. Brackett (1836–1911)

    I think theatre should always be somewhat suspect.
    Václav Havel (b. 1936)

    Why wont they let a year die without bringing in a new one on the instant, cant they use birth control on time? I want an interregnum. The stupid years patter on with unrelenting feet, never stopping—rising to little monotonous peaks in our imaginations at festivals like New Year’s and Easter and Christmas—But, goodness, why need they do it?
    John Dos Passos (1896–1970)