Fringe Theatre - History of Fringe Theatre Festivals

History of Fringe Theatre Festivals

The Edinburgh Festival Fringe (founded 1947) is the largest arts festival in the world. Though many shows at the Edinburgh Fringe could be considered fringe theatre, its remit also covers mainstream theatre, comedy, music and many other genres.

The largest fringe festival in the southern hemisphere, and second largest in the world, is the Adelaide Fringe Festival. The Adelaide Fringe evolved in the early 1970s as a reaction against the establishment and the then 'mainstream' Adelaide Festival of Arts. Today, although the two events are now inextricably linked, the Fringe Festival has overtaken the main Festival of Arts in terms of attendance. The oldest fringe festival in England, and third largest in the world is the Brighton Festival Fringe, which has provided Fringe activity alongside the main Brighton Festival since its creation in 1967.

Read more about this topic:  Fringe Theatre

Famous quotes containing the words history of, history, fringe, theatre and/or festivals:

    “And now this is the way in which the history of your former life has reached my ears!” As he said this he held out in his hand the fatal letter.
    Anthony Trollope (1815–1882)

    Considered in its entirety, psychoanalysis won’t do. It’s an end product, moreover, like a dinosaur or a zeppelin; no better theory can ever be erected on its ruins, which will remain for ever one of the saddest and strangest of all landmarks in the history of twentieth-century thought.
    Peter B. Medawar (1915–1987)

    A lake is the landscape’s most beautiful and expressive feature. It is earth’s eye; looking into which the beholder measures the depth of his own nature. The fluviatile trees next the shore are the slender eyelashes which fringe it, and the wooded hills and cliffs around are its overhanging brows.
    Henry David Thoreau (1817–1862)

    The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.
    David Hare (b. 1947)

    Why wont they let a year die without bringing in a new one on the instant, cant they use birth control on time? I want an interregnum. The stupid years patter on with unrelenting feet, never stopping—rising to little monotonous peaks in our imaginations at festivals like New Year’s and Easter and Christmas—But, goodness, why need they do it?
    John Dos Passos (1896–1970)