Work
Welcker was a pioneer in the field of archaeology, and was one of the first to insist, like Böckh and his pupil Karl Otfried Müller, on the necessity of co-ordinating the study of Greek art and religion with philology, in opposition to the methods of the older Hellenists, like Gottfried Hermann, which they perceived as too narrow. The later workers took as their aim the complete reconstruction of the ancient life, in contrast with members of the school of Hermann, who were disposed to limit the field to the language and text of the Greek and Roman writers. Welcker was thoroughly imbued with the harmony of the whole Greek conception, whether expressed in art, literature, or religion, and it was to the presentation of this as a complete whole that he devoted his efforts.
Besides early work on Aristophanes, Pindar, and Sappho, whose character he vindicated, he edited Alcman (1815), Hipponax (1817), Theognis (1826) and the Theogony of Hesiod (1865), and published a Sylloge epigrammatum Graecorum (Bonn, 1828). His Griechische Götterlehre (3 vols., Göttingen, 1857–1862) may be regarded as the first scientific treatise on Greek religion. Among his works on Greek literature the chief are Die Äschyleische Trilogie (1824, 6), Der epische Zyklus oder die Homerischen Geschichte (2 vols. 1835, 49), Die griechischen Tragödien mit Rücksicht auf den epischen Zyklus geordnet (3 vols., 1839–1841). His editions and biography of Zoega, his Zeitschrift für Geschichte und Auslegung der alten Kunst (Göttingen, 1817, 8) and his Alte Denkmäler (5 vols., 1849–1864) contain his views on ancient art.
Read more about this topic: Friedrich Gottlieb Welcker
Famous quotes containing the word work:
“Meanwhile, if the fear of falling into error sets up a mistrust of Science, which in the absence of such scruples gets on with the work itself, and actually cognizes something, it is hard to see why we should not turn round and mistrust this very mistrust.... What calls itself fear of error reveals itself rather as fear of the truth.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“The real risks for any artist are taken ... in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it—when they endanger the artist by reason of what he has, or has not, artistically dared.”
—Salman Rushdie (b. 1947)
“Henry David Thoreau, who never earned much of a living or sustained a relationship with any woman that wasn’t brotherly—who lived mostly under his parents’ roof ... who advocated one day’s work and six days “off” as the weekly round and was considered a bit of a fool in his hometown ... is probably the American writer who tells us best how to live comfortably with our most constant companion, ourselves.”
—Edward Hoagland (b. 1932)