Friedrich Goldmann - Life

Life

Born on 27 April 1941 in Siegmar-Schönau, Chemnitz, Goldmann’s music education began in 1951 when he joined the Dresdner Kreuzchor. At age 18, he received a scholarship by the city of Darmstadt to study composition with Karlheinz Stockhausen at the Internationale Ferienkurse für Neue Musik in 1959, who further encouraged him over the following years (Müller 2001). He moved on to study with Johannes Paul Thilman at the Dresden Conservatory from 1959, taking his exam in 1962. From 1962 until 1964 he attended a master class at the Akademie der Künste in Berlin with Rudolph Wagner-Régeny. Around this time, he worked as a freelance musical assistant at the Berliner Ensemble where he befriended other composers and writers, including Heiner Müller, Luigi Nono and Luca Lombardi. He also met Paul Dessau, who became a close friend and mentor. From 1964 until 1968, he studied musicology at Humboldt University of Berlin, after which he worked as a freelance composer and conductor.

Major commissions include works for the Berlin Philharmonic Orchestra, Semperoper Dresden, the Berlin Staatsoper, Wittener Tage für neue Kammermusik, Ensemble Modern, Arditti Quartet, Komische Oper Berlin, the 20th anniversary celebration of the fall of the Berlin Wall, Expo 2000 in Hannover, several works for Konzerthaus Berlin and the German radio orchestras.

As a conductor, he worked with several orchestras and ensembles (including Berliner Philharmoniker - (CD: Stockhausen, Gruppen, Deutsche Grammophon), Gewandhausorchester Leipzig, Staatskapelle Berlin, Gruppe Neue Musik “Hanns Eisler” and Scharoun Ensemble) and performed all over Europe, Russia, USA, Japan and South Korea. He had a close working relationship with Ensemble Modern from the first days of the ensemble’s formation. Their collaborations included a tour of Russia, the French and West German premieres of Luigi Nono’s Prometeo, as well as performances and recordings of Goldmann’s own works.

Since 1988 he was the principal conductor of the Boris Blacher Ensemble in Berlin. Recordings of his and other composers’ music have been released by Nova, Wergo, Deutsche Grammophon, Academy, Edel Classics, RCA, BMG and other labels. Other conductors who have performed his works include Pierre Boulez, Daniel Barenboim, Michael Gielen, Mark Elder, Ernest Bour and Ingo Metzmacher.

From 1980 until 1991, he taught master classes at Berlin’s Akademie der Künste (Müller 2001) In 1991 he became a professor of composition at the Hochschule der Künste, Berlin (now Universität der Künste) (Müller 2001). There, he headed the Institute for New Music from 2003 until 2005. He also held master classes in Seoul, South Korea, and Tokyo, Japan.

Among his students were Enno Poppe, Helmut Oehring, Nicolaus Richter de Vroe, Steffen Schleiermacher, Chatschatur Kanajan, Johannes Wallmann, Jakob Ullmann, Charlotte Seither, Arnulf Herrmann, Paul Frick and Sergej Newski.

He was a member of the Academies of Fine Arts of East Berlin (from 1978) and of West Berlin (from 1990, before the unification of both academies), and Dresden (from 1995). He was also a member of the German-French Cultural Council, and Deutscher Musikrat (German Music Council, a member of the International Music Council). From 1990 until 1997 he was president of the German section of the International Society of Contemporary Music (ISCM)(Müller 2001). Awards include the Hanns-Eisler-Preis, Kulturpreis and Nationalpreis of the GDR.

Friedrich Goldmann died in Berlin on 24 July 2009. He was 68 years old. His grave is located at Berlin’s Dorotheenstädtischer Friedhof cemetery. Currently the majority of his autograph scores are located at the archive of Berlin’s Akademie der Künste.

Read more about this topic:  Friedrich Goldmann

Famous quotes containing the word life:

    For my part, I would rather look toward Rutland than Jerusalem. Rutland,—modern town,—land of ruts,—trivial and worn,—not too sacred,—with no holy sepulchre, but profane green fields and dusty roads, and opportunity to live as holy a life as you can, where the sacredness, if there is any, is all in yourself and not in the place.
    Henry David Thoreau (1817–1862)

    We quaff the cup of life with eager haste without draining it, instead of which it only overflows the brim—objects press around us, filling the mind with their magnitude and with the throng of desires that wait upon them, so that we have no room for the thoughts of death.
    William Hazlitt (1778–1830)

    Just as we need to encourage women to test life’s many options, we need to acknowledge real limits of energy and resources. It would be pointless and cruel to prescribe role combination for every woman at each moment of her life. Life has its seasons. There are moments when a woman ought to invest emotionally in many different roles, and other moments when she may need to conserve her psychological energies.
    Faye J. Crosby (20th century)