French Impressionist Cinema, also referred to as the first avant-garde or narrative avant-garde, is a term applied to a group of French films and filmmakers of the 1920s.
Film scholars have had much difficulty in defining this movement or for that matter deciding whether it should be considered a movement at all. David Bordwell has attempted to define a unified stylistic paradigm and set of tenets. 1 Others, namely Richard Abel, criticize these attempts and group the films and filmmakers more loosely, based on a common goal of “exploration of the process of representation and signification in narrative film discourse.” 2 Still others such as Dudley Andrew would struggle with awarding any credibility at all as “movement.” 3
Read more about French Impressionist Cinema: Filmmakers and Films (greatly Abridged), Periodization, Stylistic Paradigm, Relation To/Deviation From Hollywood Stylistics, Criticism, Theory
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“Such is the nature and make-up of the French that they are only good at the start. Then they are worse than devils, but, given time, they’re less than women.”
—François Rabelais (1494–1553)
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