French Impressionist Cinema, also referred to as the first avant-garde or narrative avant-garde, is a term applied to a group of French films and filmmakers of the 1920s.
Film scholars have had much difficulty in defining this movement or for that matter deciding whether it should be considered a movement at all. David Bordwell has attempted to define a unified stylistic paradigm and set of tenets. 1 Others, namely Richard Abel, criticize these attempts and group the films and filmmakers more loosely, based on a common goal of “exploration of the process of representation and signification in narrative film discourse.” 2 Still others such as Dudley Andrew would struggle with awarding any credibility at all as “movement.” 3
Read more about French Impressionist Cinema: Filmmakers and Films (greatly Abridged), Periodization, Stylistic Paradigm, Relation To/Deviation From Hollywood Stylistics, Criticism, Theory
Famous quotes containing the words french and/or cinema:
“Have ye got the parcel there for Mrs White?
Ye haven’t! Oh, begorra!
Say it’s comin’ down tomorra—
And it might now, Michael, so it might!’”
—William Percy French (1854–1920)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)