Relation To/Deviation From Hollywood Stylistics
However, even Marcel L’Herbier, one of the chief filmmakers associated with the movement, admitted to an ununified theoretical stance: “None of us – Dulac, Epstein, Delluc or myself – had the same aesthetic outlook. But we had a common interest, which was the investigation of that famous cinematic specificity. On this we agreed completely.” 5
Richard Abel’s re-evaluation of Bordwell’s analysis sees the films as a reaction to conventional stylistic and formal paradigms, rather than Bordwell’s resemblance model. Thus Abel refers to the movement as the Narrative Avant-Garde. He views the films as a reaction to narrative paradigm found in commercial filmmaking, namely that of Hollywood, and is based on literary and generic referentiality, narration through intertitles, syntactical continuity, a rhetoric based on verbal language and literature, and a linear narrative structure6, then subverts it, varies it, deviates from it.
Read more about this topic: French Impressionist Cinema
Famous quotes containing the words relation to, relation and/or hollywood:
“To be a good enough parent one must be able to feel secure in one’s parenthood, and one’s relation to one’s child...The security of the parent about being a parent will eventually become the source of the child’s feeling secure about himself.”
—Bruno Bettelheim (20th century)
“Skepticism is unbelief in cause and effect. A man does not see, that, as he eats, so he thinks: as he deals, so he is, and so he appears; he does not see that his son is the son of his thoughts and of his actions; that fortunes are not exceptions but fruits; that relation and connection are not somewhere and sometimes, but everywhere and always; no miscellany, no exemption, no anomaly,—but method, and an even web; and what comes out, that was put in.”
—Ralph Waldo Emerson (1803–1882)
“If New York is the Big Apple, tonight Hollywood is the Big Nipple.”
—Bernardo Bertolucci (b. 1940)