Relation To/Deviation From Hollywood Stylistics
However, even Marcel L’Herbier, one of the chief filmmakers associated with the movement, admitted to an ununified theoretical stance: “None of us – Dulac, Epstein, Delluc or myself – had the same aesthetic outlook. But we had a common interest, which was the investigation of that famous cinematic specificity. On this we agreed completely.” 5
Richard Abel’s re-evaluation of Bordwell’s analysis sees the films as a reaction to conventional stylistic and formal paradigms, rather than Bordwell’s resemblance model. Thus Abel refers to the movement as the Narrative Avant-Garde. He views the films as a reaction to narrative paradigm found in commercial filmmaking, namely that of Hollywood, and is based on literary and generic referentiality, narration through intertitles, syntactical continuity, a rhetoric based on verbal language and literature, and a linear narrative structure6, then subverts it, varies it, deviates from it.
Read more about this topic: French Impressionist Cinema
Famous quotes containing the words relation to, relation and/or hollywood:
“In relation to God, we are like a thief who has burgled the house of a kindly householder and been allowed to keep some of the gold. From the point of view of the lawful owner this gold is a gift; From the point of view of the burglar it is a theft. He must go and give it back. It is the same with our existence. We have stolen a little of God’s being to make it ours. God has made us a gift of it. But we have stolen it. We must return it.”
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“Unaware of the absurdity of it, we introduce our own petty household rules into the economy of the universe for which the life of generations, peoples, of entire planets, has no importance in relation to the general development.”
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“If New York is the Big Apple, tonight Hollywood is the Big Nipple.”
—Bernardo Bertolucci (b. 1940)