Frederick Marryat - Works

Works

  • The Naval Officer, or Scenes in the Life and Adventures of Frank Mildmay (1829)
  • The King's Own (1830)
  • Newton Forster or, the Merchant Service (1832)
  • Peter Simple (1834)
  • Jacob Faithful (1834)
  • The Pacha of Many Tales (1835)
  • Mr Midshipman Easy (1836)
  • Japhet, in Search of a Father (1836)
  • The Pirate (1836)
  • The Three Cutters (1836)
  • Snarleyyow, or the Dog Fiend (1837)
  • Rattlin the Reefer (with Edward Howard) (1838)
  • The Phantom Ship (1839)
  • Diary in America (1839)
  • Olla Podrida (1840)
  • Poor Jack (1840)
  • Masterman Ready, or the Wreck of the Pacific (1841)
  • Joseph Rushbrook, or the Poacher (1841)
  • Percival Keene (1842)
  • Monsieur Violet (1843)
  • Settlers in Canada (1844)
  • The Mission, or Scenes in Africa (1845)
  • The Privateersman, or One Hundred Years Ago (1846)
  • The Children of the New Forest (1847)
  • The Little Savage (posthumous, 1848)
  • Valerie (posthumous, 1848)

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Famous quotes containing the word works:

    “Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
    —Henry David Thoreau (1817–1862)

    “Reason, the prized reality, the Law, is apprehended, now and then, for a serene and profound moment, amidst the hubbub of cares and works which have no direct bearing on it;Mis then lost, for months or years, and again found, for an interval, to be lost again. If we compute it in time, we may, in fifty years, have half a dozen reasonable hours.”
    —Ralph Waldo Emerson (1803–1882)

    “...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
    —Sarah N. Cleghorn (1876–1959)