Performance Timeline
Fred Perry joined professional tennis in 1937 and was unable to compete in the Grand Slams tournaments.
| Tournament | Amateur career | Professional career | Titles / Played | Career Win-Loss | Career Win | |||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| '29 | '30 | '31 | '32 | '33 | '34 | '35 | '36 | '37 | '38 | '39 | '40 | '41 | '42 | '43 | '44 | '45 | '46 | '47 | '48 | '49 | '50 | '51 | '52 | '53 | '54 | '55 | ||||
| Grand Slam Tournaments: | 8 / 22 | 101–15 | 87.07 | |||||||||||||||||||||||||||
| Australian | A | A | A | A | A | W | F | A | A | A | A | A | Not Held | A | A | A | A | A | A | A | A | A | A | 1 / 2 | 9–1 | 90.00 | ||||
| French | A | A | 4R | QF | QF | QF | W | F | A | A | A | Not Held | A | A | A | A | A | A | A | A | A | A | A | 1 / 6 | 22–5 | 81.48 | ||||
| Wimbledon | 3R | 4R | SF | QF | 2R | W | W | W | A | A | A | Not Held | A | A | A | A | A | A | A | A | A | A | 3 / 8 | 36–5 | 87.80 | |||||
| U.S. | A | 4R | SF | A | W | W | SF | W | A | A | A | A | A | A | A | A | A | A | A | A | A | A | A | A | A | A | A | 3 / 6 | 34–4 | 89.47 |
| Pro Slam Tournaments: | 2 / 9 | 19–7 | 73.08 | |||||||||||||||||||||||||||
| French Pro | N.H. | A | A | A | A | A | A | A | A | A | A | Not Held | 0 / 0 | 0–0 | N/A | |||||||||||||||
| Wembley Pro | Not Held | A | A | A | A | A | A | Not Held | A | A | QF | QF | A | N.H. | 0 / 2 | 2–2 | 50.00 | |||||||||||||
| U.S. Pro | A | A | A | A | A | A | A | A | A | W | F | F | W | A | A | N.H. | A | QF | QF | A | A | A | A | A | A | A | QF | 2 / 7 | 17–5 | 77.27 |
| Total: | 10 / 31 | 120–22 | 84.51 | |||||||||||||||||||||||||||
Read more about this topic: Fred Perry
Famous quotes containing the word performance:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
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