Character Description
In all depictions, Fred wears a blue and/or white sweater (which is sometimes worn under a white shirt, sweater, or jacket) and blue jeans. In the original depictions, Fred wears an orange ascot. In the 1990s direct-to-video movies and in the 2000s series What's New, Scooby-Doo?, Fred's outfit was given an update, with the removal of his orange ascot and two blue stripes added to his sleeves. He is often shown constructing various Rube Goldberg traps for villains, which Scooby-Doo and/or Shaggy would often set off by mistake, causing the villain to be captured another way. Fred usually takes the lead in solving mysteries. When searching for clues, Fred and Daphne usually go together with Velma coming along, but sometimes Fred and Daphne would pair off, leaving Velma to go with Shaggy and Scooby.
In A Pup Named Scooby-Doo, Fred was depicted as being somewhat less intelligent and was often believing in crazy legends such as Bigfoot and mole people and liked reading a magazine called The National Exaggerator. In each episode, Fred would (often incorrectly) blame the crime on the neighborhood bully, Red Herring (a play on the idiom red herring). In his teenage version, he is shown to have many interests (obsessions for traps, martial arts, wrestling, and weight lifting). He is also shown to be hopeless at speaking any language other than English (in an episode of What's New, Scooby Doo?, Fred attempted to learn French, leading Daphne to suggest he sticks to saying "oui-oui" (wee-wee), to which he replies, "I already did that before we left the hotel"). He is oblivious to Daphne's romantic interests, while at the same time falling for other girls.
Read more about this topic: Fred Jones (Scooby-Doo)
Famous quotes containing the words character and/or description:
“Note too that a faithful study of the liberal arts humanizes character and permits it not to be cruel.”
—Ovid (Publius Ovidius Naso)
“The type of fig leaf which each culture employs to cover its social taboos offers a twofold description of its morality. It reveals that certain unacknowledged behavior exists and it suggests the form that such behavior takes.”
—Freda Adler (b. 1934)