Francesco Maria Del Monte - Patron of Science and Art

Patron of Science and Art

Del Monte was a perceptive supporter of the arts and sciences - he was the first recorded owner of the Portland Vase, and his Palazzo Madama household was one of the most important intellectual salons in Rome. At his death his art collection contained nearly six hundred paintings, and his support of the young Caravaggio has given provenance to several of that artist's early works. Together with his brother, he helped Galileo win a lectureship in mathematics in Pisa in 1589 and in Padua in 1592. In the wake of Galileo’s discovery of the 'Medicean Planets', he gave the Cardinal a copy of his 'Sidereus nuncius' (Starry Messenger) and a telescope as gifts. When Galileo went to Rome in 1611, Grand Duke Cosimo II recommended him to the Cardinal’s council so that he could be helped during his sojourn at the Vatican

Read more about this topic:  Francesco Maria Del Monte

Famous quotes containing the words patron of, patron, science and/or art:

    In this country, the village should in some respects take the place of the nobleman of Europe. It should be the patron of the fine arts. It is rich enough. It wants only the magnanimity and refinement.
    Henry David Thoreau (1817–1862)

    As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music.
    Henry David Thoreau (1817–1862)

    There are some things in science which should be brought to light. There are others, doctor, which should be left alone.
    Griffin Jay, Maxwell Shane (1905–1983)

    There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in it—and no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment.
    Harold C. Goddard (1878–1950)