Francesco Hayez - Gallery

Gallery

  • Aristotle (1811)

  • Destruction of Temple of Jerusalem (1867)

  • Crusaders near Jerusalem (1836-50)

  • The Seventh Crusade before Jerusalem (1838-1850)

  • Refugees of Parga (1831)

  • Scene from Byron's Drama The Two Foscari

  • Sicilian Vespers scene 1 (1821-22)

  • Sicilian Vespers scene 3 (1821-22)

  • Liberation of Vittor Pisani. (1840)

  • Last Moments of Doge Marin Falier (1867)

  • Meeting of Esau and Jacob

  • Last Kiss of Romeo and Juliet (1823)

  • New Favorite in Harem

  • Nude Female (?)

  • Ruth (1835)

  • Mary Magdalene (1825)

  • Reclining Odalisque (1839)

  • Odalisque (1867)

  • Woman after Bath (1859)

  • Nude Bather

  • Odalisque with Book (1866)

  • Melancholy thinking (1842)

  • The Meditation (1851)

  • Ciociara (Peasant)

  • Samson and the Lion (1842)

  • Portrait, Don Giulio Vigoni as a Child (1830)

  • Portrait, Young Countess Antonietta Negroni Prati Morosini (1858)

  • Portrait, Antonietta Negroni Prati Morosini (1872)

  • Portrait, Matilde Juva-Branca (1851)

  • Portrait, Princess di Sant' Antimo (1840-1844)

  • Portrait, Antonietta Tarsis Basilico (1851)

  • Portrait, Felicina Caglio Perego di Cremnago (1842)

  • Portrait, Antonietta Vitali Sola.(1823)

  • Portrait, Carolina Zucchi (1825)

  • Portrait, Antonio Rosmini (1835)

  • Portrait, Camillo Benso Conte of Cavour (1864)

  • Portrait, Kaisers Ferdinand I of Austria (1840)

  • Portrait, Massimo d' Azeglio (1860)

  • Ritratto di Alessandro Manzoni (1841)

  • Portrait, Conte Ninni (1823)

  • Portrait, Giacomo Rossini (1870)

  • Self-Portrait

  • Portrait, sculptor Pompeo Marchesi. (1830)

  • Portrait, Giuseppe Roberti. (1819)

  • Portrait, Giovanni David

  • Levite Ephraim (1842-1844)

Read more about this topic:  Francesco Hayez

Famous quotes containing the word gallery:

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)