Francesco Hayez - Gallery

Gallery

  • Aristotle (1811)

  • Destruction of Temple of Jerusalem (1867)

  • Crusaders near Jerusalem (1836-50)

  • The Seventh Crusade before Jerusalem (1838-1850)

  • Refugees of Parga (1831)

  • Scene from Byron's Drama The Two Foscari

  • Sicilian Vespers scene 1 (1821-22)

  • Sicilian Vespers scene 3 (1821-22)

  • Liberation of Vittor Pisani. (1840)

  • Last Moments of Doge Marin Falier (1867)

  • Meeting of Esau and Jacob

  • Last Kiss of Romeo and Juliet (1823)

  • New Favorite in Harem

  • Nude Female (?)

  • Ruth (1835)

  • Mary Magdalene (1825)

  • Reclining Odalisque (1839)

  • Odalisque (1867)

  • Woman after Bath (1859)

  • Nude Bather

  • Odalisque with Book (1866)

  • Melancholy thinking (1842)

  • The Meditation (1851)

  • Ciociara (Peasant)

  • Samson and the Lion (1842)

  • Portrait, Don Giulio Vigoni as a Child (1830)

  • Portrait, Young Countess Antonietta Negroni Prati Morosini (1858)

  • Portrait, Antonietta Negroni Prati Morosini (1872)

  • Portrait, Matilde Juva-Branca (1851)

  • Portrait, Princess di Sant' Antimo (1840-1844)

  • Portrait, Antonietta Tarsis Basilico (1851)

  • Portrait, Felicina Caglio Perego di Cremnago (1842)

  • Portrait, Antonietta Vitali Sola.(1823)

  • Portrait, Carolina Zucchi (1825)

  • Portrait, Antonio Rosmini (1835)

  • Portrait, Camillo Benso Conte of Cavour (1864)

  • Portrait, Kaisers Ferdinand I of Austria (1840)

  • Portrait, Massimo d' Azeglio (1860)

  • Ritratto di Alessandro Manzoni (1841)

  • Portrait, Conte Ninni (1823)

  • Portrait, Giacomo Rossini (1870)

  • Self-Portrait

  • Portrait, sculptor Pompeo Marchesi. (1830)

  • Portrait, Giuseppe Roberti. (1819)

  • Portrait, Giovanni David

  • Levite Ephraim (1842-1844)

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Famous quotes containing the word gallery:

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)

    “I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
    —Lewis H. Lapham (b. 1935)

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)