Contemporary
Throughout the 1990s, the Young British Artists (YBAs) made extensive use of found "objects", often with very strong press reaction. Damien Hirst exhibited a shark preserved in formaldehyde in a glass tank and called it The Physical Impossibility of Death in the Mind of Someone Living. He has taken this to extremes by presenting in the same way a cow and calf cut into sections, and, in A Thousand Years, a rotting cow's head, maggots and flies. Tracey Emin exhibited a tent covered with appliquéd names, titled Everyone I Have Ever Slept With 1963–1995, and then her own unmade bed with sweat-stained sheets, surrounded by items such as her slippers, period-stained underwear and drink bottles, titled My Bed. Sarah Lucas enlarged to a giant size a lurid tabloid press cutting; she also exhibited a mattress with two melons, a bucket and a cucumber, representing female and male genitalia.
Found art can also occur on the internet, where an image found on the internet can become the core component of a larger artwork made by modifying the image through basic computer graphic tools.
Read more about this topic: Found Objects
Famous quotes containing the word contemporary:
“The many faces of intimacy: the Victorians could experience it through correspondence, but not through cohabitation; contemporary men and women can experience it through fornication, but not through friendship.”
—Thomas Szasz (b. 1920)
“Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.”
—W.H. (Wystan Hugh)
“The contemporary thing in art and literature is the thing which doesn’t make enough difference to the people of that generation so that they can accept it or reject it.”
—Gertrude Stein (1874–1946)