Composition
Follow the Leader is seventy minutes and eight seconds long. Allmusic said, "They write songs, but those wind up not being nearly as memorable as their lurching metallic hip-hop grind." Entertainment Weekly commented that Follow the Leader was Korn's "gimmick", while saying the album had "steely riffs" and "stomping beats". Tower Records said the album "combines streamlined metal with ominous industrial touches and an undercurrent of hip-hop rhythm," and also said it was an "urban nightmare". The album is considered to be nu metal, but also spans other genres such as alternative metal and heavy metal.
The album features 25 tracks, 12 of which last five seconds of silence, making the first 60 seconds of the album all silent. Follow the Leader follows the lyrical style that vocalist Jonathan Davis, who was established on their demo album Neidermeyer's Mind. Journal Now said that Korn "shaped rap, metal and punk into a sonic maelstrom that is brutal, aggressive - and reasonably musical". The Daily News said that "the band shovels chunky beats into an already complex sound..." Michael Mehle of Rocky Mountain News said, "For the uninitiated, the classic Korn sound comes rumbling out of the speakers on the first cut: It's On! grinds fuzzy guitars, thunderous beats and shouts of gut-wrenching rage into an anthem for the alienated", and gave other positive remarks. Charlotte Observer said the album was dark, but humble. A Zeeland high school assistant principal said in an interview for a Michigan newspaper that the music is "indecent, vulgar, obscene and intends to be insulting". She said this after giving a student a one-day suspension for wearing a shirt with Korn on it.
Read more about this topic: Follow The Leader (Korn album)
Famous quotes containing the word composition:
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
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“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)