Florence Stanley - Early Life and Career

Early Life and Career

Florence Stanley was born as Florence Schwartz in Chicago, the daughter of Hanna (née Weil) and Jack Schwartz. She began a long career on stage, film and TV starting in the 1940s. Her earliest theatrical performances include The Importance of Being Earnest with the Touring Players, Bury The Dead at New York's Cherry Lane Theatre, and Machinal.

During the 1950s, Stanley appeared in numerous live TV shows, and gave an acclaimed performance as Clytemnestra in the New York Shakespeare Festival's 1964 production of Electra, opposite Lee Grant, who played the title role. Stanley began her long career on Broadway as Maureen Stapleton's understudy in a 1965 revival of The Glass Menagerie.

In 1966 she took over the role of Yente in Broadway's Fiddler On The Roof from Beatrice Arthur, leaving in 1971 (after over 2,000 performances) to open in Neil Simon's The Prisoner of Second Avenue, directed by Mike Nichols. In 1972 she went on to tap dance in the Broadway production of The Secret Affairs Of Mildred Wild, and in 1981 went back to work for Neil Simon in the Broadway production of Fools.

Read more about this topic:  Florence Stanley

Famous quotes containing the words early, life and/or career:

    Here is this vast, savage, howling mother of ours, Nature, lying all around, with such beauty, and such affection for her children, as the leopard; and yet we are so early weaned from her breast to society, to that culture which is exclusively an interaction of man on man,—a sort of breeding in and in, which produces at most a merely English nobility, a civilization destined to have a speedy limit.
    Henry David Thoreau (1817–1862)

    We have created an industrial order geared to automatism, where feeble-mindedness, native or acquired, is necessary for docile productivity in the factory; and where a pervasive neurosis is the final gift of the meaningless life that issues forth at the other end.
    Lewis Mumford (1895–1990)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)