Early Career: Film and Broadway
She was one of several Canadian pioneers in the film industry who were attracted by the rapid growth of the fledgling motion picture business. In 1906, at age 20, she appeared in her first motion picture. The next year, she appeared in 38 movies for the Vitagraph film company.
During the spring and summer of 1906, Lawrence auditioned for a number of Broadway productions, with no success. However, on 27 December 1906, she was hired by the Edison Manufacturing Company to play Daniel Boone's daughter in Daniel Boone; or, Pioneer days in America. She got the part because she knew how to ride a horse. Both she and her mother received parts, and were paid five dollars a day for two weeks of outdoor filming in freezing weather.
In 1907 she went to work for the Vitagraph Company in Brooklyn, New York acting as Moya, an Irish peasant girl in a one-reel version of Dion Boucicault's The Shaughraun.
She returned briefly to stage acting, playing the leading role in a road show production of Melville B. Raymond's Seminary Girls. Her mother played her last role in this production. After touring with the road show for a year, Lawrence resolved that she would 'never again lead that gypsy life.'
In the spring of 1908 she returned to Vitagraph where she played the lead role in The Dispatch Beare. Largely as a result of her equestrian skills, she received parts in eleven films in the next five months.
Read more about this topic: Florence Lawrence
Famous quotes containing the words early, film and/or broadway:
“Even today . . . experts, usually male, tell women how to be mothers and warn them that they should not have children if they have any intention of leaving their side in their early years. . . . Children dont need parents full-time attendance or attention at any stage of their development. Many people will help take care of their needs, depending on who their parents are and how they chose to fulfill their roles.”
—Stella Chess (20th century)
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)
“Too many Broadway actors in motion pictures lost their grip on successhad a feeling that none of it had ever happened on that sun-drenched coast, that the coast itself did not exist, there was no California. It had dropped away like a hasty dream and nothing could ever have been like the things they thought they remembered.”
—Mae West (18921980)