Flattery

Flattery (also called adulation or blandishment) is the act of giving excessive compliments, generally for the purpose of ingratiating oneself with the subject.

Historically, flattery has been used as a standard form of discourse when addressing a king or queen. In the Renaissance, it was a common practice among writers to flatter the reigning monarch, as Edmund Spenser flattered Queen Elizabeth I in The Faerie Queene, William Shakespeare flattered King James I in Macbeth and Niccolò Machiavelli flattered Lorenzo II di Piero de' Medici, ruler of Florence and Duke of Urbino, in The Prince.

Flattery is also used in pick-up lines when attempting to initiate romantic courtship.

Most associations with flattery, however, are negative. Negative descriptions of flattery range at least as far back in history as The Bible. In the Divine Comedy, Dante depicts flatterers wading in human excrement, stating that their words were the equivalent of excrement, in the 8th Circle of Hell.

An insincere flatterer is a stock character in many literary works. Examples include Wormtongue from J. R. R. Tolkien's The Lord of the Rings, Goneril and Regan from King Lear, and Iago from Othello.

Historians and philosophers have paid attention to flattery as a problem in ethics and politics. Plutarch wrote an essay on "How to Tell a Flatterer from a Friend." Julius Caesar was notorious for his flattery. In his Praise of Folly, Erasmus commended flattery because it "raises downcast spirits, comforts the sad, rouses the apathetic, stirs up the stolid, cheers the sick, restrains the headstrong, brings lovers together and keeps them united."

"To flatter" is also used to refer to artwork or clothing that makes the subject or wearer appear more attractive, as in:

  • The King was pleased with the portrait, as it was very flattering of his girth.
  • I think I'll wear the green dress because it flatters my legs.

Famous quotes containing the word flattery:

    Baloney is flattery laid on so thick it cannot be true, and blarney is flattery so thin we love it.
    Fulton J. Sheen (1895–1979)

    ‘Tis a barbarous temper, and a sign of a very ill nature, to take delight in shocking any one: and, on the contrary, it is the mark of an amiable and a beneficent temper, to say all the kind things one can, without flattery or playing the hypocrite,—and what never fails of procuring the love and esteem of every one; which, next to doing good to a deserving object who wants it, is one of the greatest pleasures of this life.
    Samuel Richardson (1689–1761)

    Your flattery is as full of contempt as your insults were.
    Mason Cooley (b. 1927)