Flash Fiction - Terms

Terms

One of the first known usages of the term "flash fiction" in reference to the literary style was the 1992 anthology Flash Fiction: Seventy-Two Very Short Stories. Editor James Thomas stated that the editors' definition of a "flash fiction" was a story that would fit on two facing pages of a typical digest-sized literary magazine. In China the style is frequently called a "smoke long" or "palm-sized" story, with the comparison being that the story should be finished before the reader could finish smoking a cigarette.

Other names for flash fiction include sudden fiction, micro fiction, micro-story, short short, postcard fiction and short short story, though distinctions are sometimes drawn between some of these terms; for example, sometimes one-thousand words is considered the cut-off between "flash fiction" and the slightly longer short story "sudden fiction". The terms "micro fiction" and "micro narrative" are sometimes defined as below 300 words.

Read more about this topic:  Flash Fiction

Famous quotes containing the word terms:

    A radical is one of whom people say “He goes too far.” A conservative, on the other hand, is one who “doesn’t go far enough.” Then there is the reactionary, “one who doesn’t go at all.” All these terms are more or less objectionable, wherefore we have coined the term “progressive.” I should say that a progressive is one who insists upon recognizing new facts as they present themselves—one who adjusts legislation to these new facts.
    Woodrow Wilson (1856–1924)

    We are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4am of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget.
    Joan Didion (b. 1934)

    As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.
    Baruch (Benedict)