Flash Fiction - Terms

Terms

One of the first known usages of the term "flash fiction" in reference to the literary style was the 1992 anthology Flash Fiction: Seventy-Two Very Short Stories. Editor James Thomas stated that the editors' definition of a "flash fiction" was a story that would fit on two facing pages of a typical digest-sized literary magazine. In China the style is frequently called a "smoke long" or "palm-sized" story, with the comparison being that the story should be finished before the reader could finish smoking a cigarette.

Other names for flash fiction include sudden fiction, micro fiction, micro-story, short short, postcard fiction and short short story, though distinctions are sometimes drawn between some of these terms; for example, sometimes one-thousand words is considered the cut-off between "flash fiction" and the slightly longer short story "sudden fiction". The terms "micro fiction" and "micro narrative" are sometimes defined as below 300 words.

Read more about this topic:  Flash Fiction

Famous quotes containing the word terms:

    The only freedom I care about is the freedom to do right; the freedom to do wrong I am ready to part with on the cheapest terms to anyone who will take it of me.
    Thomas Henry Huxley (1825–95)

    As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.
    Baruch (Benedict)

    But the nature of our civilized minds is so detached from the senses, even in the vulgar, by abstractions corresponding to all the abstract terms our languages abound in, and so refined by the art of writing, and as it were spiritualized by the use of numbers, because even the vulgar know how to count and reckon, that it is naturally beyond our power to form the vast image of this mistress called “Sympathetic Nature.”
    Giambattista Vico (1688–1744)