Music and Influence
Caron left both sacred and secular music, including five masses and numerous secular songs.
One of the earliest masses based on the famous tune L'homme armé is by Caron, and survives in an early 1460s Vatican manuscript along with L'homme armé masses by several other composers. In Caron's setting the tune is transposed to Dorian mode and elaborated considerably; the upper voices often sing in two-part imitation.
Most of his secular songs were in French, and for three voices, and most survive from Italian manuscripts. Most are rondeaux, and most are in duple meter. One of his songs, Helas que pourra devenir, was extraordinarly famous, and was the second-most-widely distributed song in manuscript sources of the third quarter of the 15th century (De tous biens plaine, by Hayne van Ghizeghem, was the first). It is unusual among songs of the time in using very close imitation, and it seems to have initiated a trend. David Fallows, writing in the New Grove, hypothesises that it may have originated as an instrumental fantasy.
Read more about this topic: Firminus Caron
Famous quotes containing the words music and/or influence:
“There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes
By the deep sea, and music in its roar:
I love not man the less, but nature more,”
—George Gordon Noel Byron (1788–1824)
“Temperament is the natural, inborn style of behavior of each individual. It’s the how of behavior, not the why.... The question is not, “Why does he behave a certain way if he doesn’t get a cookie?” but rather, “When he doesn’t get a cookie, how does he express his displeasure...?” The environment—and your behavior as a parent—can influence temperament and interplay with it, but it is not the cause of temperamental characteristics.”
—Stanley Turecki (20th century)