Firewater (band) - Biography

Biography

After Tod left his previous group, Cop Shoot Cop, he quickly regrouped and formed Firewater to explore the styles of music Cop Shoot Cop had only hinted at, including klezmer, gypsy, jazz and ska forms. Labeled a musical collective, Tod has remained Firewater's only consistent member, acting as singer-songwriter and bassist/guitarist. Throughout their fluctuating line-up, the band has occasionally featured numerous notable musicians, including Duane Denison of the Jesus Lizard, Yuval Gabay of Soul Coughing, Jennifer Charles of Elysian Fields, Hahn Rowe, Tamir Muskat and Ori Kaplan of Gogol Bordello and Balkan Beat Box.

Their album, Songs We Should Have Written (2004), is a collection of cover songs. It includes songs written by Robyn Hitchcock, The Rolling Stones ("Paint It Black" reinterpreted as a crawlingly slow raga which "shove(s) a few downers down the song's throat to counter the original version's adrenaline-fueled fire"), and a "dark and sweet" take of Sonny and Cher's "The Beat Goes On", described as "10 times more ominous and 20 times more pleasurable" than the original. The album also includes a modern rendition of the Johnny Cash anthem "Folsom Prison Blues".

After recording Songs We Should Have Written, Singer Tod A took an extended, three year sabbatical, travelling through Thailand, India, Pakistan, Turkey and Indonesia and chronicling his experiences on his blog "Postcards from the Other Side of the World." During this time, he wrote and recorded the band's sixth studio album The Golden Hour with the help of various local musicians and friends, including Firewater producer Tamir Muskat. The record was released May 6, 2008, through Bloodshot records in USA and Noise-o-lution in Europe.

Firewater's seventh studio album, International Orange!, is set for release in September 2012, accompanied by international touring.

Read more about this topic:  Firewater (band)

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West (1892–1983)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)