History
Fire dancing using different techniques is a part of the historic culture of some areas of the world. The oldest practice of fire dancing is Samoa known as Siva Afi and Fire Knife. The fire knife dance has its roots in the ancient Samoan exhibition called "ailao" - the flashy demonstration of a Samoan warrior's battle prowess through artful twirling, throwing and catching, and dancing with a war club while on fire. The 'ailao could be performed with any warclub and some colonial accounts confirm that women also performed 'ailao at the head of ceremonial processions, especially daughters of high chiefs. During night dances torches were often twirled and swung about by dancers, although a warclub was the usual implement used for 'ailao. Ancient Aztecs performed a fire dance dedicated to Xiuhtecuhtli, the god of fire. The Aztec fire dance is performed today for tourists in Mexico. In Bali, the Angel Dance and the Fire Dance, regularly performed for tourists, have origins in ancient rituals. Both the Angel Dance and the Fire Dance originated in a trance ritual called the sanghyang, a ritual dance "performed to ward off witches at the time of an epidemic." Also known as the "horse dance" men perform the dance by holding rods representing horses, while leaping around burning coconut husks, and walking through the flames. French Polynesia, Antigua, Cuba and Saint Lucia are other locations where fire dances are recreated for tourists. The Siddha Jats of the Thar Desert in India perform traditional fire dances as part of the Spring festival. Fire dancing is performed to music played on drums and the behr. There are variations of the fire dancing; men often perform a dance that involves walking on hot coals, while women perform a dance while balancing flaming tin pots on their heads. Today this ritual is often performed for tourists.
Read more about this topic: Fire Dancing
Famous quotes containing the word history:
“When the history of this period is written, [William Jennings] Bryan will stand out as one of the most remarkable men of his generation and one of the biggest political men of our country.”
—William Howard Taft (18571930)
“The history of any nation follows an undulatory course. In the trough of the wave we find more or less complete anarchy; but the crest is not more or less complete Utopia, but only, at best, a tolerably humane, partially free and fairly just society that invariably carries within itself the seeds of its own decadence.”
—Aldous Huxley (18941963)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)