Fiona Shaw - Career

Career

Her notable theatrical roles include Young Woman in Machinal, Celia in As You Like It (1984), Madame de Volanges in Les Liaisons Dangereuses (1985), Katherine in The Taming of the Shrew (1987), Winnie in Happy Days (2007), and the title roles in Electra (1988), The Good Person of Sechuan (1989), Hedda Gabler (1991), The Prime of Miss Jean Brodie (1998) and Medea (2000). She performed T. S. Eliot's poem The Waste Land as a one-person show at the Liberty Theatre in New York to great acclaim in 1996, winning the Drama Desk Award for Outstanding One-Person Show for her performance.

Shaw played the lead in Richard II, directed by Deborah Warner in 1995. Shaw has collaborated with Warner on a number of occasions, on both stage and screen. Shaw has also worked in film and television, including My Left Foot, Jane Eyre, Persuasion, Gormenghast, and five of the Harry Potter films in which she played Harry Potter's insufferable aunt Petunia Dursley. Shaw had a brief but key role in Brian DePalma's The Black Dahlia.

In 2008, she directed her first opera, Riders to the Sea by Vaughan Williams at the ENO and in 2010 her second Elegy for Young Lovers by Hans Werner Henze.

In 2009, Shaw collaborated with Deborah Warner again, taking the lead role in Tony Kushner's translation of Bertolt Brecht's Mother Courage and Her Children. In a 2002 article for The Daily Telegraph, Rupert Christiansen described their professional relationship as "surely one of the most richly creative partnerships in theatrical history." Other collaborations between the two women include productions of Brecht's The Good Woman of Szechuan and Ibsen's Hedda Gabler, the latter was adapted for television.

Shaw appeared in The Waste Land at Wilton's Music Hall in January 2010 and in a National Theatre revival of London Assurance in March 2010. In November 2010, Shaw starred in Ibsen's John Gabriel Borkman at the Abbey Theatre, Dublin alongside Alan Rickman and Lindsay Duncan.

Shaw appeared in season four of American TV Show True Blood. Shaw’s character, Marnie Stonebrook, has been described as an underachieving palm reader who is spiritually possessed by an actual witch. Her character leads a coven of necromancer witches who threaten the status quo in Bon Temps, erasing most of Eric Northman's memories and leaving him almost helpless when he tries to kill her and break up their coven.

In 2012 Shaw appeared in the National Theatre revival of Scenes from an Execution by Howard Barker.

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