Editorial Style
The magazine's editorial direction has always been to focus on the very best of woodworking techniques at the highest level of skill. There has always a blend of articles from hands-on techniques, complex theory behind timber, finishes or tools, through to sheer showcase admiration of the work of others. The quality of the work illustrated has always been a feature of the magazine: no matter how unattainable such skills might appear, the editors have never been afraid to show it as an aspiration to readers.
Although there are a good number of "project" articles included, Fine Woodworking has never "dumbed down" to make its pieces easier and more populist.
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“I have been in the editorial business going on fourteen years, and it is the first time I ever heard of a man’s having to know anything in order to edit a newspaper.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)