Process
The process for tinting was laborious, although simple in principle. Editing was done in rolls based on tint color, with numbered frames of film in between scenes for later assembly. Once these rolls were printed and processed from the negative, they were immersed in aniline dyes, specified to the colors that were listed in the script or continuity. Hardening fixer was not used on the film in order for the dye to be imbibed into the emulsion quicker and with better results. Once the film had dried on large film drums, it would be assembled in correct order and rewound onto reels for shipping. Toning was similar, but instead of aniline dyes, the film was immersed in chemicals to change the silver image into colored salts.
Read more about this topic: Film Tinting
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