Showing Film Frames in Animation and Movies
Some humor in animation is based on the fourth wall aspect of the film frame itself, with some animation showing characters leaving what is assumed to be the edge of the film or the film malfunctioning. This latter one is used often in films as well. This hearkens back to some early cartoons, where characters were aware of the fact they were in a cartoon, specifically the fact they could look at the credits and be aware of something that isn't part of the story as presented. These jokes include -
- Split frames - Where the fourth wall is broken by two frames, the lower half of the previous frame and the upper part of the next frame, showing at once, with jokes involving them including a character crossing the frame itself.
- Film Break - A famous form of joke, where the film either snaps or is deliberately broken, with often the fourth wall coming into play during this period when, rightfully, there should be nothing on screen.
- Exiting the frame - This joke, an extension of the split frames joke, has characters depart from the sides of the frame, sometimes finding themselves falling out of the cartoon entirely.
Read more about this topic: Film Frame
Famous quotes containing the words showing, film, frames and/or movies:
“Modern man, if he dared to be articulate about his concept of heaven, would describe a vision which would look like the biggest department store in the world, showing new things and gadgets, and himself having plenty of money with which to buy them. He would wander around open-mouthed in this heaven of gadgets and commodities, provided only that there were ever more and newer things to buy, and perhaps that his neighbors were just a little less privileged than he.”
—Erich Fromm (1900–1980)
“I’ll be right here.”
—Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)
“... though it is by no means requisite that the American women should emulate the men in the pursuit of the whale, the felling of the forest, or the shooting of wild turkeys, they might, with advantage, be taught in early youth to excel in the race, to hit a mark, to swim, and in short to use every exercise which could impart vigor to their frames and independence to their minds.”
—Frances Wright (1795–1852)
“The popularity of disaster movies ... expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.”
—David Mamet (b. 1947)