Roles Sung On Stage
Bizet
- Carmen - Don José
- Les pêcheurs de perles - Nadir
Boito
- Mefistofele - Faust
Donizetti
- L'elisir d'amore - Nemorino
- Lucia di Lammermoor - Edgardo
- Lucrezia Borgia - Rustighello
Giordano
- Andrea Chénier - Title role
Gomes
- Fosca - Paolo
- Salvator Rosa - Title role
Gounod
- Faust - Title role
André Ernest Modeste Grétry
- Zémire et Azor - Azor
Lehar
- Die lustige Witwe - Camille de Rosillon
Leoncavallo
- Pagliacci - Canio
Mascagni
- Cavalleria rusticana - Turiddu
Massenet
- Manon - des Grieux
- Werther - Title role
Mozart
- Die Zauberflöte - Tamino
Ponchielli
- La Gioconda - Enzo
Jacques Offenbach
- Les contes d'Hoffmann - Title role
Puccini
- La fanciulla del West - Dick Johnson
- Tosca - Cavaradossi
- La bohème - Rodolfo
- Madama Butterfly - B.F. Pinkerton
- Manon Lescaut - des Grieux
- Le Villi - Roberto
Johann Strauss
- Die Fledermaus - Alfred, Eisenstein
Strauss
- Salome - Narraboth
- Die Frau ohne Schatten - Die Stimme des Jünglings
Verdi
- Attila - Foresto
- Falstaff - Fenton, Bardolfo
- I Lombardi alla prima crociata - Oronte
- La traviata - Alfredo Germont
- Macbeth - Macduff
- Nabucco - Ismaele
- Rigoletto - Duca di Mantua
- Simon Boccanegra - Gabriele Adorno
- Messa da Requiem
Wagner
- Tannhauser - Walther von der Vogelweide
- Die Fliegende Hollander - Steuermann
- Tristan und Isolde - Stimme eines jungen Seemanns
Read more about this topic: Fernando Del Valle
Famous quotes containing the words roles, sung and/or stage:
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
—Ellen Lewis (20th century)
“She sang a song that sounds like life; I mean it was sad. Délira knew no other types of songs. She didn’t sing loud, and the song had no words. It was sung with closed lips and it stayed down in one’s throat.... Life is what taught them, these Negresses, to sing as if they were choking back sobs. It is a song that always ends with a beginning anew because this song is the picture of misery, and tell me, does misery ever end?”
—Jacques Roumain (1907–1945)
“But the effort, the effort! And as the marrow is eaten out of a man’s bones and the soul out of his belly, contending with the strange rapacity of savage life, the lower stage of creation, he cannot make the effort any more.”
—D.H. (David Herbert)