Fender Mark Hoppus Jazz Bass - Bass Colors

Bass Colors

Signature Bass Colors:

  • Dark Cream (Octopus Tentacles throughout the body of the bass.)
  • Neon Hot Pink ("Marktopus" near bridge.)
  • Mary-Kay White w/ Red Tortoise pickguard ("Marktopus" near the bridge.)
  • Transparent Surf Green with pearl tortoise pickguard
  • Transparent Mary-Kay White with Red tortoise pickguard
  • Mary-Kay White (Custom "smiley face" logo Inlays on the fretboard along with a "Marktopus" decal on the body of the bass near the bridge.)
  • Black (There are apparently two of these basses as seen from a shot of the bass rack at a Blink 182 pre-tour rehearsal.)
  • Hot Pink ("Marktopus" decal on the body of the bass near the bridge.)
  • White w/ Famous Stars & Straps Skull Decal (Given away at a raffle on October 31, 2009.)
  • Seafoam Green w/ pearl tortoise pickguard
  • Metallic Red (Arguably the first prototype Mark Hoppus Signature Bass, it has custom Fish inlays on the fretboard.)
  • Surf Green (Nicknamed "Lettuce", primarily used for studio recording.)
  • Daphne Blue (Used in the "Man Overboard" music video)
  • Hot Pink (Skull Inlays, "Down" music video)
  • Hot Pink (Standard Inlays)
  • Olympic White (With a black pickguard.)
  • Shell Pink (Used in the music video for "First Date." Consumer model color discontinued in 2002.)
  • Red/Pink/Yellow/White Plaid Design
  • Graffiti Yellow (As seen on AOL Sessions.)
  • Hot Pink (The same skull and crossbones bass from the Blink 182 Era and was eventually retired from use in the early days of +44. It was seen again on an episode of "Made" on MTV where he made a guest appearance.)
  • Honey Blonde (With a tortoise shell pickguard.)
  • Olympic White (With a tortoise shell pickguard.)
  • Sunburst (With a tortoise shell pickguard.)

Read more about this topic:  Fender Mark Hoppus Jazz Bass

Famous quotes containing the words bass and/or colors:

    “How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
    —In New York City, U.S. public relief program (1935-1943)

    “Hoot how the inhuman colors fell
    Into place beside her, where she was,
    Like human conciliations, more like
    A profounder reconciling, an act,
    An affirmation free from doubt.”
    —Wallace Stevens (1879–1955)