Style
The works of Felipe Pigna are not aimed to the academic public, but to the masses. To this purpose, he employs slang, plain language, and some humor and references to the reader. He attempts to relate the historical Argentina with modern Argentina, setting parallels between past and modern events or circumstances. He considers that events do not really repeat themselves exactly because circumstances change, but the consequences are likely to be broadly the same, such as wealth gaps leading to authoritarian governments. His works usually describe history as a dispute between the people and the powerful classes, where the later ones oppressed the population both now and then, and even so people would manage to achieve some victories, even if short-lived.
Historians Tulio HalperÃn Dongui and Luis Alberto Romero made strong criticism Pigna's style, and refuse to consider his work as real history books even if Pigna is a professional historian. They consider that his works do not show historiographical culture, general culture or literary talent, and that the works cited in them are misquoted or taken out of context. Pigna replied that foreign works accept and acknowledge subjective views, that his aim was to make the history of Argentina easy to understand by all people, and that an opposing approach to the topic was elitist.
Read more about this topic: Felipe Pigna
Famous quotes containing the word style:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“Carlyle must undoubtedly plead guilty to the charge of mannerism. He not only has his vein, but his peculiar manner of working it. He has a style which can be imitated, and sometimes is an imitator of himself.”
—Henry David Thoreau (1817–1862)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)