Theatre
| Year | Title | Notes |
|---|---|---|
| 1982 | A Taste of Honey as Joe | Stage Theatre, New York City |
| 1986 | Been Taken as Jill | 18th Street Playhouse, New York City |
| 1988 | Speed the Plow as Karen | Royale Theatre |
| 1988 | Boys' Life as Maggie | Mitzi E. Newhouse Theatre, New York City |
| 1989 | Bobby Gould in Hell | Lincoln Center Theater |
| 1990 | Grotesque Love Songs | New York City |
| 1994 | Shaker Heights | New York City |
| 1995 | Dangerous Corner | off-Broadway production |
| 1995–1996 | The Cryptogram as Donny | American Repertory Theatre, Cambridge, Massachusetts off-Broadway production |
| 1997 | The Joy of Going Somewhere Definite as Marie | Atlantic Theater Company, New York City |
| 1999 | Boston Marriage as Anna | American Repertory Theatre, Hasty Pudding Theatre, Cambridge, Massachusetts |
| 1999 | Oh, Hell! as Glenna | Lincoln Center, New York City |
| 2000 | The Loop | New York City |
| 2000 | Jake’s Women | Old Globe Theatre |
| 2000 | Three Sisters | Philadelphia Festival Theatre |
| 2012 | November | Mark Taper Forum |
Read more about this topic: Felicity Huffman
Famous quotes containing the word theatre:
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
—Dame Alice Markova (b. 1910)
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)