History
The word fedora comes from the title of an 1882 play by Victorien Sardou, Fédora, written for Sarah Bernhardt. The play was first performed in the United States in 1889. Bernhardt played Princess Fédora, the heroine of the play, and she wore a hat similar to what is now considered a fedora. The fedora had been a female fashion. When the fedora became a male fashion item in the late 19th century, it was popular for its stylishness and its ability to protect the wearer's head from the wind and weather. Since the early part of the 20th century, many Haredi and other Orthodox Jews have made black fedoras normative to their daily wear.
Fedoras have become widely associated with gangsters and Prohibition, which coincided with the height of the hat's popularity in the 1920s-early 1950s. In the second half of the '50s, it fell out of favor due to a shift towards more informal clothing styles.
The fedora enjoyed a revival only a few years after its waning popularity, dating back to the mid-1970s. The fedora as a personal statement has made impacts on American and global culture: Indiana Jones popularized his fedora in the Indiana Jones franchise. Among historical figures: Coach Tom Landry wore a fedora while he was the head coach of the Dallas Cowboys. It would later become his trademark image. A cenotaph dedicated to Landry with a depiction of his fedora was placed in the official Texas State Cemetery in Austin at the family's request. In addition the Cowboys wore a patch on their uniforms during the 2000 season depicting Landry's fedora. Author Terry Pratchett is known for having the fedora as a normal part of his image.
In music, Michael Jackson frequently wore a fedora in public appearances, concerts and video clips. In the television series Fringe, the mysterious figures, the Observers, all wear fedoras.
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Famous quotes containing the word history:
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the truth of the new is never on the news
False history gets written every day
...
the lesbian archaeologist watches herself
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—Adrienne Rich (b. 1929)
“In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men, as Aurora the sun’s rays. The matutine intellect of the poet, keeping in advance of the glare of philosophy, always dwells in this auroral atmosphere.”
—Henry David Thoreau (1817–1862)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)