Federation of European Film Directors

La Fédération Européenne des Réalisateurs de l'Audiovisuel (FERA) (Federation of European FIlm Directors in English) represents the interests of film and television directors in the European motion picture industry.

FERA speaks on behalf of professional film directors at the European level on issues of major importance in the creation and promotion of audiovisual works. The director is the creative decision maker in a process of artistic collaboration and takes final responsibility for the aesthetic cohesion and artistic integrity of the work. FERA is committed to safeguarding the craft, artistry and the creative and economic rights of the director as essential components to the diversity of audiovisual culture in Europe and beyond.

FERA is based in Brussels, Belgium and celebrated its 30th anniversary in 2010.

Famous quotes containing the words federation of, federation, european and/or film:

    Women realize that we are living in an ungoverned world. At heart we are all pacifists. We should love to talk it over with the war-makers, but they would not understand. Words are so inadequate, and we realize that the hatred must kill itself; so we give our men gladly, unselfishly, proudly, patriotically, since the world chooses to settle its disputes in the old barbarous way.
    —General Federation Of Women’s Clubs (GFWC)

    Women realize that we are living in an ungoverned world. At heart we are all pacifists. We should love to talk it over with the war-makers, but they would not understand. Words are so inadequate, and we realize that the hatred must kill itself; so we give our men gladly, unselfishly, proudly, patriotically, since the world chooses to settle its disputes in the old barbarous way.
    —General Federation Of Women’s Clubs (GFWC)

    Assassination is the perquisite of princes.
    —19th-century European court cliché.

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)