Federated States of Micronesia - Culture

Culture

See also: Music of the Federated States of Micronesia

Each of the four States has its own culture and traditions, but there are also common cultural and economic bonds that are centuries old. For example, cultural similarities like the importance of the traditional extended family and clan systems can be found on all the islands.

The island of Yap is notable for its "stone money" (Rai stones), large disks usually of calcite, up to 4 m (about 13 ft) in diameter, with a hole in the middle. The islanders, aware of the owner of a piece, do not necessarily move them when ownership changes. There are five major types: Mmbul, Gaw, Ray, Yar, and Reng, the last being only 30 cm (12 in) in diameter. Their value is based on both size and history, many of them having been brought from other islands, as far as New Guinea, but most coming in ancient times from Palau. Approximately 6,500 of them are scattered around the island.

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Famous quotes containing the word culture:

    The local is a shabby thing. There’s nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal.
    Jean Baudrillard (b. 1929)

    I’ve finally figured out why soap operas are, and logically should be, so popular with generations of housebound women. They are the only place in our culture where grown-up men take seriously all the things that grown-up women have to deal with all day long.
    Gloria Steinem (b. 1934)

    Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.
    —Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)