Early Acting Career
In 1923, Wray appeared in her first film at the age of 16, landing a role in a short historical film sponsored by a local newspaper. In the 1920s, Wray landed a major role in the silent film The Coast Patrol (1925), as well as uncredited bit parts at the Hal Roach Studios.
In 1926, American film association the Western Association of Motion Picture Advertisers selected Wray as one of the "WAMPAS Baby Stars", a group of women who they believed to be on the threshold of movie stardom. She was currently under contract to Universal Studios, mostly co-starring in low budget westerns opposite Buck Jones.
The following year in 1927, Wray was signed to a contract with Paramount Pictures In 1928, director Erich von Stroheim cast Wray as the main female lead in his film The Wedding March, released under Paramount, a film noted for its high budget and production values. It was a financial failure, but it gave Wray her first lead role. Wray stayed with Paramount to make more than a dozen more films, staying there to make the transition from silent films to "talkie" films.
Read more about this topic: Fay Wray
Famous quotes containing the words early, acting and/or career:
“It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.”
—Gerald Early (20th century)
“Often, when there is a conflict between parent and child, at its very hub is an expectation that the child should be acting differently. Sometimes these expectations run counter what is known about childrens growth. They stem from remembering oneself, but usually at a slightly older age.”
—Ellen Galinsky (20th century)
“A black boxers career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)