Fatal Charm - Retrospective Works and Live Performances

Retrospective Works and Live Performances

However, Fatal Charm were to return. In 1996, a retrospective collection of the band's earliest material was released (titled Out of my Head, by The Fatal Charm).

Then in 2005, Arnall returned to the original tapes of various archived recordings, some of them previously unreleased and others unfinished. The keyboards and synthesizers were stripped back and replaced with a cleaner, more contemporary guitar sound. The resulting 'rocked-up' versions have a more assured and dynamic resonance, but crucially, remain sympathetic to Simmonds' vocals, which have greater maturity than hitherto. The third Fatal Charm album is simply entitled Pop and includes a re-worked version of "Western Laughter", previously only available as a flexi-disc given away free at early concerts.

Pop, published by the band's own Cycles And Trips label is only available through the website and appears therefore to be a side-project rather than an attempt to re-launch the band in a full time capacity.

Simmonds has over the years obtained qualifications in music, trained her voice to cover a range of singing styles, become a singing teacher and has sung with internationally acclaimed vocal groups The Swingle Singers (1st alto) and Synergy. Her other credits include contributions to the soundtracks for Troy, Star Wars Episode III: Revenge of the Sith and Shrek 2; also backing vocals for Björk at the opening ceremony of the 2004 Olympic Games.

Pop was followed by the release of further retrospective albums featuring the various incarnations of the band. After a lengthy period of inactivity, Fatal Charm performed live dates in March and April 2012 and added more dates throughout the year.

Read more about this topic:  Fatal Charm

Famous quotes containing the words works, live and/or performances:

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)

    I pray to God that I shall not live one hour after I have thought of using deception.
    Elizabeth I (1533–1603)

    This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.
    Dorothy Parker (1893–1967)