Fanny Fern - Early Life

Early Life

Sarah Payson Willis was born in Portland, Maine, to newspaper owner Nathaniel Willis and Hannah Parker; she was the fifth of nine children. Her older brother Nathaniel Parker Willis became a notable journalist and magazine owner. Her younger brother Richard Storrs Willis became a musician and music journalist, known for writing the melody for "It Came Upon the Midnight Clear". Her other siblings were Lucy Douglas (born 1804), Louisa Harris (1807), Julia Dean (1809), Mary Perry (1813), Edward Payson (1816), and Ellen Holmes Willis (1821).

Inspired by Reverend Edward Payson of Portland's Second Congregational Church, her father intended to name his fifth child after the minister. When the child was born a girl, he named her after Payson's mother, Grata Payson. The reverend urged the Willises to reconsider, noting that his mother had never liked the name. In accordance with this request, the family called her Sarah instead.

Willis' surname was to change often in her life, throughout three marriages and the adoption of her chosen pen name "Fanny Fern". She decided on the pen name because it reminded her of childhood memories of her mother picking ferns. Feeling that this chosen name was a better fit, she used it also in her personal life; eventually most of her friends and family called her "Fanny."

Willis attended Catharine Beecher's boarding school in Hartford, Connecticut. Beecher later described her as one of her "worst-behaved girls" (adding that she also "loved her the best".) Here, the girl had her first taste of literary success when her compositions were published in the local newspaper. She also attended the Saugus Female Seminary . After returning home, Willis wrote and edited articles for her father's Christian newspapers, The Puritan Recorder and The Youth's Companion.

Read more about this topic:  Fanny Fern

Famous quotes containing the words early and/or life:

    I looked at my daughters, and my boyhood picture, and appreciated the gift of parenthood, at that moment, more than any other gift I have ever been given. For what person, except one’s own children, would want so deeply and sincerely to have shared your childhood? Who else would think your insignificant and petty life so precious in the living, so rich in its expressiveness, that it would be worth partaking of what you were, to understand what you are?
    —Gerald Early (20th century)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)