Works
Lama’at or Divine Flashes is the best known of ‘Iraqi's writings and was written during his time in what is now present day Turkey. A part of the ‘language of love’ genre within Sufi writing, it takes an interesting view on how one view the world. Unlike others before him ‘Iraqi viewed the world as a mirror which reflected God's Names and Qualities and not as a "veil" which must be lifted. According to (the late) Baljit Singh Ph.D an Indian Persian scholar and translator of SWANEH of Ahmad Ghazali and Iraqi's LAMMAT (The Flashes), "The style of Lammat is a simple, dignified, fluent & rich with Qur'anic verses and Arabic sentences. Its theme is ‘Divine Love’ and is written in the fashion of the Swaneh of Ahmad Ghazali. Iraqi explains in the Lammat, Ibn Arabi's Sufism through the love symbology." He quotes from Saed Nafisi's ‘Introduction’ to the ‘Kullyat Iraqi’-‘Generally it is accepted that Iraqi wrote Lammat following the ideas of Ibn Arabi, but Iraqi himself says differently . He writes in the beginning of the Lammat that he has written this book in the manner of ‘Swaneh’ of Ahmad Ghazali.’ Baljit Singh further refers to Dr Nasrullah Pourjavadi, a scholar on Ahmad Ghazali and writes, "It was Ahmad Ghazali who first of all saw the Divine as love and founded the Sufi Metaphysics of Love. Iraqi is said to have united Ahmad Ghazali to Ibn Arabi through his LAMMAT."
‘Ushshaq-namah (عشاقنامه) was, according to legend, written during ‘Iraqi's time in service to Shaykh and is dedicated to Shamsuddin Juwayni the vizier. While it has been attributed to 'Iraqi, it is almost definitely not his.
Read more about this topic: Fakhr-al-Din Iraqi
Famous quotes containing the word works:
“Reason, the prized reality, the Law, is apprehended, now and then, for a serene and profound moment, amidst the hubbub of cares and works which have no direct bearing on it;Mis then lost, for months or years, and again found, for an interval, to be lost again. If we compute it in time, we may, in fifty years, have half a dozen reasonable hours.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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