Setting
The play moves through three times and places (act 3 and 4 are the same location weeks apart, and all but the baritone remain the same character). The libretto calls for "a Goyaesque landscape of bare branches with bloody clothes hanging off them, and stones jutting out of the earth like gravestones, in the manner of a charcoal drawing." Projections of art and diagrams are used throughout the production.
Read more about this topic: Facing Goya
Famous quotes containing the word setting:
“Love is at the root of all healthy discipline. The desire to be loved is a powerful motivation for children to behave in ways that give their parents pleasure rather than displeasure. it may even be our own long-ago fear of losing our parents’ love that now sometimes makes us uneasy about setting and maintaining limits. We’re afraid we’ll lose the love of our children when we don’t let them have their way.”
—Fred Rogers (20th century)
“The doctrine of those who have denied that certainty could be attained at all, has some agreement with my way of proceeding at the first setting out; but they end in being infinitely separated and opposed. For the holders of that doctrine assert simply that nothing can be known; I also assert that not much can be known in nature by the way which is now in use. But then they go on to destroy the authority of the senses and understanding; whereas I proceed to devise helps for the same.”
—Francis Bacon (1560–1626)
“Like plowing, housework makes the ground ready for the germination of family life. The kids will not invite a teacher home if beer cans litter the living room. The family isn’t likely to have breakfast together if somebody didn’t remember to buy eggs, milk, or muffins. Housework maintains an orderly setting in which family life can flourish.”
—Letty Cottin Pogrebin (20th century)