Career
Jarvis began her performance career in early vaudeville and minstrel shows. She changed her surname to Preer.
Her first film role was in Oscar Micheaux's 1919 debut film The Homesteader, when she was 23. Micheaux promoted Preer as his leading actress with a steady tour of personal appearances and a publicity campaign. Her most well-known film role is in his Within Our Gates, (1920). It is the only known surviving Micheaux film to feature her, although she appeared in more of his works.
Micheaux was such an influential film director that he has been dubbed the "Father of Afro-American Cinema". Micheaux developed many of his subsequent films to showcase Preer's extraordinary versatility. These included The Brute (1920), The Gunsaulus Mystery (1921), Deceit (1923), Birthright (1924), The Devil’s Disciple (1925), The Conjure Woman (1926) and The Spider’s Web (1926). These Micheaux titles are presumed lost. Preer was lauded by both the black and white press for her ability to continually succeed in ever more challenging roles. She was known for refusing to play roles that she believed demeaned African Americans.
Read more about this topic: Evelyn Preer
Famous quotes containing the word career:
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)