Story
The story is a biography of the famed motorcycle daredevil, who grew up in Butte, Montana. The film depicts Knievel reflecting on major events in his life, particularly his relationship with his girlfriend/wife, Linda. The film opens with Knievel at the Ontario Motor Speedway in Ontario, California. Knievel is speaking directly to the camera describing his upcoming daredevil motorcycle jump:
- Ladies and gentlemen, you have no idea how good it makes me feel to be here today. It is truly an honor to risk my life for you. An honor. Before I jump this motorcycle over these 19 cars — and I want you to know there's not a Volkswagen or a Datsun in the row — before I sail cleanly over that last truck, I want to tell you that last night a kid came up to me and he said, "Mr Knievel, are you crazy? That jump you're going to make is impossible, but I already have my tickets because I want to see you splatter." That's right, that's what he said. And I told that boy last night that nothing is impossible. Now they told Columbus to sail across the ocean was impossible. They told the settlers to live in a wild land was impossible. They told the Wright Brothers to fly was impossible. And they probably told Neil Armstrong a walk on the moon was impossible. They tell Evel Knievel to jump a motorcycle across the Grand Canyon is impossible, and they say that every day. A Roman General in the time of Caesar had the motto: "If it possible, it is done. If it is impossible, it will be done." And that, ladies and gentlemen, is what I live by.
Following his introduction, the story follows a flashback narrative through Knievel's life.
The film ends with Knievel successfully completing the jump at the Ontario Motor Speedway and riding off onto a dirt road which leads to the edge of Grand Canyon. (At the time of production, the real Evel Knievel was hyping a jump over the Grand Canyon.)
Read more about this topic: Evel Knievel (film)
Famous quotes containing the word story:
“Well, I know you haven’t had much experience writing and none at all in pictures. But I’ve heard about you. It all sounded like you’re just the man I wanted for a story about the Navy. I don’t want a story just about ships and planes. I want a story about the officers.... I want this story from a pen dipped in salt water not dry martinis. Do you know what I mean?”
—Frank Fenton, William Wister Haines, co-scenarist, and John Ford. John Dodge (Ward Bond)
“The child ... stands upon a place apart, a little spectator of the world, before whom men and women come and go, events fall out, years open their slow story and are noted or let go as his mood chances to serve them. The play touches him not. He but looks on, thinks his own thought, and turns away, not even expecting his cue to enter the plot and speak. He waits,—he knows not for what.”
—Woodrow Wilson (1856–1924)
“One of the necessary qualifications of an efficient business man in these days of industrial literature seems to be the ability to write, in clear and idiomatic English, a 1,000-word story on how efficient he is and how he got that way.... It seems that the entire business world were devoting its working hours to the creation of a school of introspective literature.”
—Robert Benchley (1889–1945)