Criticism
The status and jurisdiction of the ECJ has increasingly been questioned by member states.
In Germany, the former President Roman Herzog warned that the ECJ was overstepping its powers, writing that "the ECJ deliberately and systematically ignores fundamental principles of the Western interpretation of law, that its decisions are based on sloppy argumentation, that it ignores the will of the legislator, or even turns it into its opposite, and invents legal principles serving as grounds for later judgements." Herzog is particularly critical in its analysis of the Mangold Judgement, which overruled a German law that would discriminate in favour of older workers.
The President of the Constitutional Court of Belgium, Marc Bossuyt, said that both the European Court of Justice and the European Court of Human Rights were taking on more and more powers by extending their competences, creating a serious threat of a "government by judges". He stated that "they fabricate rulings in important cases with severe financial consequences for governments without understanding the national rules because they are composed out of foreign judges."
Some MEPs and industry spokesmen have criticised the ruling against the use of gender as factor in determining premiums for insurance products. British Conservative MEP Sajjad Karim remarked, "Once again we have seen how an activist European Court can over-interpret the treaty. The EU's rules on sex discrimination specifically permit discrimination in insurance if there is data to back it up".
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Famous quotes containing the word criticism:
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“Parents sometimes feel that if they don’t criticize their child, their child will never learn. Criticism doesn’t make people want to change; it makes them defensive.”
—Laurence Steinberg (20th century)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)