Biography
Ximenes initially embarked on literary studies but then took up sculpture and attended the courses at the Palermo Academy of Fine Arts. His training was completed in close contact with the Neapolitan school of Verism as a pupil of Domenico Morelli and Stanislao Lista at the Naples Academy from 1872 on. He also established a close relationship with Vincenzo Gemito.
He returned to Palermo in 1874 and won a competition for a four-year grant, which enabled him to study Renaissance sculpture in Florence. He exhibited work in 1878 in Paris, where he came into contact with Auguste Rodin and Jean-Baptiste Carpeaux. On returning to Italy, he established his place on the art scene with a broad repertoire of portraits, genre works and funerary statuary, in which his initial realism gave way to Symbolist and Neo-Renaissance elements. In addition to sculpture, he also produced illustrations for the works of Edmondo De Amicis published by Treves. Ximenes was involved in all the major official monumental projects in Italy from the 1880s on and devoted his energies as from 1911 primarily to commissions for important public works in São Paulo, Kiev, New York and Buenos Aires.
Read more about this topic: Ettore Ximenes
Famous quotes containing the word biography:
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)